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Student Artist
Art Practice 2026 @aileenrubio.art
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
(No description)
Watercolor on Paper
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
Girl has a moment of clarity when her head is in the clouds.
Photoshop
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
Acrylic Paint on Canvas
This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope. Link to Artwork
2023
Poetry
Warm summer portrait of girl reading.
Link to Website
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
Acrylic paint on canvas
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas
A sketched self-portrait replaced into its photographic context.
Graphite on Paper, Photograph
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
2021
Oil Paint on Canvas