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These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes
By Khuyen Le '21
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
By Christina Kent '22
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
2018
Digital photography prints
By Soraya Fereydooni '20
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
By Sky Walker '24
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
By Catherine Mullings '22
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
2018
acrylic on canvas
By Vedika Kanchan '23
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
By Savannah Mohacsi '20
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
2022
3D animation (Blender)
By Laia Bent '25
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
By Austin Kim '27
A light spring shower wakes the soul.
Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
2019
Photoshop
By Tianxing Ma '19
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
By Aileen Rubio '26
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
By Noah DeWald '20
Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
By Christina Kent '22
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
By Cairo Mo '20
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
By L. Song Wu '24
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
2018
Charcoal, white chalk on toned paper
By Noah DeWald '20
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
By Connor Gilmore '21