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Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Acrylic Paint on Canvas
By Meagan Wu '18
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
By Laura Anderson '21
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
2018
Digital Photographs
By Kevin Chappelle '19
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
By Francesca Colombo Colombo '19
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
By Savannah Mohacsi '20
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
2020
song / soundscape
By Elias Feierabend-Peters '20
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
By L. Song Wu '24
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
By Isabel Benak '22
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
2016
Still from a web series
By Katie Adams '17
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
By Cathy Yang '20
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
2018
Watercolor and black ink
By Alejandro Poler '19
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
By Mhar Tenorio '24
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
By Elaine Park '21