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Student Artist
Psychology 2025 @zhang.rui_hua
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
Link to Website
2021
Photography
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
2024
Oil on Canvas
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
This image plays with scale, texture, and the physicality of water.
2016
Color Film
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
Sculpture
Night is when the imagination comes alive.
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
I love the idea of a personal brand, especially in 2016.
2014
This short film was submitted as part of my arts portfolio for my Stanford application
Short Film
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
Acrylic gouache on Yupo Polypropylene Paper
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
Ink Resist on Paper
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
Linoleum Block Print on Paper
A ghostly woman draped in a silk shawl and pearls.
Charcoal
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas