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Helen He '23
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
2020
Digital Illustration
By Helen He '23
This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.
Link to Website
2023
Interactive 3D animation installation
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
I am lucky enough to witness Lagunita being a real lake.
Photo
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
2019
Collage, ink pen
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
Acrylic Paint on Canvas
This short film was submitted as part of my arts portfolio for my Stanford application
2021
Short Film
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
Cool portrait of girl trying to keep in her tears.
2018
Photoshop
An ongoing series attempting to create an emotive instant through color theory principles
Acrylic on Canvas
Girl meets whale.
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
acrylic on cardboard
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Oil Paint on Canvas
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
Digital Collage
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
Graphite and watercolor on paper
Abstract photography with the goal of rendering mundane objects unrecognizable.
Photography
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.