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Student Artist
Art Practice 2019 @kvnchpl
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
2016
Oil on canvas
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
2018
Oil Paint on Canvas
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security. Link to Artwork
2019
Creative Writing (Poetry)
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
An abstract perspective of a cityscape.
Water Color on Paper
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
Projection Installation
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
3D animation (Blender)
A self portrait done in the style of the Old Masters.
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
Colored Pencil on Paper
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in