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Itamar Orr '19
A vivid rainbow above the hoover tower
2017
Photograph of nature
By Itamar Orr '19
Reflective watercolor painting after a trip to Tokyo.
2016
Watercolor
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
Pencil on paper
I created this piece in order to show a city full of life in contrast to one that is merely an outline.
Acrylic on Paper
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
This short film was submitted as part of my arts portfolio for my Stanford application
Link to Website
2021
Short Film
Location: East Asia Library
Digital Illustration
A series of photo edits of everyday moments at Stanford.
Digital Art
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink. Link to Artwork
2020
colored pencil, poetry
Mount Daly in Snowmass, Colorado
Gouache paint on watercolor paper
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
Acrylic Paint on Canvas
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
Projection Installation
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
Oil paint on canvas
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas