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How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
A Joshua Tree, with its grotesque appearance, instantly demands attention.
2018
Photograph of Landscape
By Brian Nguyen '21
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
2018
Digital photography prints
By Soraya Fereydooni '20
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
By Bryan Defjan '24
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
2016
Digital art
By Katherine Liu '18
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
By Elizabeth Hyde '20
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
By Clementine Chou '20
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
By Sky Walker '24
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
By Regina Kong '22
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
2018
Acrylic Paint on Canvas
By Susy Manrique '19
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
2018
Oil on canvas
By Cathy Yang '20
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
By Lia "Bear" Kim '21
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
2017
Installation: printed plastic sheeting (pictorico), fishing wire
By Vivienne Le '19
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
2017
Acrylic on Paper
By Amelia Talkington '22