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Student Artist
Computer Science 2024
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
This is a photo taken in the Main Quad.
2018
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
This piece is a manipulated photograph printed on metal.
Mixed Media on Metal
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Link to Website
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
Quad is always changing amazingly.
Photo
A watercolor painting of Stanford Campus
2023
Acrylic Painting
I love the idea of a personal brand, especially in 2016.
2014
Color Film
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
Acrylic on Canvas
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
Adobe Photoshop Illustration
A light spring shower wakes the soul. Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
Photoshop
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
2022
Acrylic Paint on Wood
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
Charcoal and Mixed Media on Salvaged Cotton and Organza
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris