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Helen He '23
Night is when the imagination comes alive.
2020
Digital Illustration
By Helen He '23
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
Oil on canvas
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
2016
An ongoing series attempting to create an emotive instant through color theory principles
2017
Acrylic on Canvas
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
Mural
Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling Link to Artwork
2023
Poetry
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
2018
Oil paint on canvas
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
Oil Paint on Canvas
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
46″ x 32”
Episode 1 of an upcoming mystery micro-film series
Short Film
Serenity from within results from letting go.
Watercolor
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
code poems
Oil on Canvas
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
Watercolor and black ink
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
acrylic on wood
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
cloudy with a chance of love
Digital illustration