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Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
By Vrinda Suresh '21
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
By Weber Lin '27
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
By Jackie Liu '25
(Work in progress) Monstera in grayscale w/ orchre yellow stems
2024
Oil on Canvas
By Chang M. Yun '28
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
By Francesca Colombo Colombo '19
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
2020
song / soundscape
By Elias Feierabend-Peters '20
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
