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Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
By Malavika Kannan '24
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
By Francesca Colombo '19
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
2017
Photograph
By Donovan Tokuyama '20
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
Oil on canvas
By Shin Mei Chan '18
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
By Apoorva Panidapu '27
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
By Tyler Su '20
I was looking for a subject I could depict using my new ink pens, and this sculpture was perfect because it included lots of shadows and some colors.
2016
Ink Pen
By Angela Liu '23
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
By Suzanne Ou '23
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
By Noah DeWald '20
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
2018
Charcoal, white chalk on toned paper
By Noah DeWald '20