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Student Artist
English/CSRE 2021 @sudswestley
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.
2021
Wood Sculpture
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
Linoleum Block Print on Paper
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
2018
Photograph of Athletics
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
Ink on Paper
Lucky to witness a green Dish.
Photo
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
An ongoing series attempting to create an emotive instant through color theory principles
Acrylic on Canvas
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
Mixed Media: paper collage with ink and watercolor
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
2020
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
Photograph
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
Interactive Video Installation
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
Link to Website
code poems
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
song / soundscape
v.c.a – an ongoing project and exploration of visual communication through abstraction
2016
Graphic Design
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
Mixed Media/Collage