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Student Artist
English/CSRE 2021 @sudswestley
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
2024
Oil on Canvas
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
print
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
2022
Oil paint on canvas
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Link to Website
2020
Photography
Night is when the imagination comes alive.
Digital Illustration
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
Girl meets whale.
2017
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
Four color Riso print
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
2021
Oil Paint on Canvas
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris
Location: Law School terrace
Oh! The Puppet Show begins! Here I am the puppet master presenting the BOSP Poland Overseas Seminar with my puppet show I made entirely from scratch!
Photograph of Performance
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.