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Clarice
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
By Sreya Halder '23
This Too Shall Pass
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
Spin
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
By Noah DeWald '20
Humanity in the operating room
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
By Soraya Fereydooni '20
Visitor I
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
By L. Song Wu '24
Andromeda
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
2016
Charcoal on paper; flame on tracing paper
By Zhanpei Fang '19
Post-Election Blues
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
By Bryan Defjan '24
Harbor
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
By Laura Anderson '21
More Than A Living Goddess
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
2022
Graphite
By Nisha Acharya '26
Monstera
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
La Belleza Italiana
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
Can you read me?
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
2018
Photograph on Canvas, Embroidery
By Francesca Colombo Colombo '19
Inside the church
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Lake Nakuru
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
2017
Acrylic Paint on Canvas
By Angela Liu '23
California Dreaming: Echoes of Change through Analog Film
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
