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These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
By Laura Anderson '21
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
By Jackie Liu '25
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
2016
Charcoal
By Angela Liu '23
This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!
2021
Digital Photograph of Paper Collage
By D Fukunaga-Brates '25
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
By Mackenzie Carlson '23
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
By Sarah Dong '26
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
By Ali Vaughan '19
This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.
2021
Digital 3D Render
By Mhar Tenorio '24
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
By Sky Walker '24
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
By Noah DeWald '20
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
By Christina Kent '22
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25