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Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
By Sophia Siegel '25
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
By Bryan Defjan '24
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
By Noah DeWald '20
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
By Austin Kim '27
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
By Dayeeta Pal '27
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
By Anneke Claypool '21
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
2023
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
By Smiti Mittal '23
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork
2020
colored pencil, poetry
By Sam Howell Petersen '23
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
By Helena Zhang '22
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
By Jamie Seney '21
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
2018
Photograph of Athletics
By Christian Ostberg '20
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
2017
Photograph
By Donovan Tokuyama '20
