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Kamilah Nicalli Arteaga '22
August on my family’s ranch in Jalisco, México.
Link to Website
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
Girl restrains her tears for, hopefully, the last time.
2018
Photoshop
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
2020
Oil on Canvas
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
Photograph
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
Adobe Photoshop Illustration
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
The Countour of White Sands NP
Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here Link to Artwork
2022
Poetry
Two girls, Cloud and Moon, are safe in space.
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
Digital inkjet print
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
Androids may dream of electric sheep, and electric sheep …
doodle
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.
This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.
Interactive 3D animation installation
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration