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Fathom by Camilla Utterback
Stanford Computing and Data Science building (CoDa)

Fathom by Camille Utterback

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Kinjal Vasavada '17

human biology 2017 @kinjalvasavada

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BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

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Lost Between Worlds

Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By Helen Liu '20

Inside the church

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18

My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20

Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25

“Vast, grafted monoculture”

This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”

2020

Vector drawing and photography

By Vrinda Suresh '21

Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By Meagan Wu '18

Odonata

Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.

2024

Sculpture

By Cooper Shea '24

Mirror in my mind

An exploration of nature’s healing power as an avenue for escapism and introspection.

2022

Ballpoint and pencil on paper

By Bryan Defjan '24

Andhra Summers

This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security.
Link to Artwork

2019

Creative Writing (Poetry)

By Harika Kottakota '20

Salu-Salo (The Act of Eating Together)

This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.

2024

Monoprints on food wrapping paper, laser cut stencils

By Mhar Tenorio '24

from now on

This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.

2023

ink on rice paper; poetry

By Katie Han '23

Swimming

A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.

2021

Oil Paint on Canvas

By Christina Ba '26

Ducks of Stanford

Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students

2018

Digital photography prints

By Soraya Fereydooni '20

Il Fait Noir

Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”

2019

Photograph of Man in Paris

By Charlie Jarvis '19

Stanford through an artist’s eyes

A watercolor painting of Stanford Campus

Link to Website

2023

Acrylic Painting

By Anushikha Anushikha '25

Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25

prayer

“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.

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2021

Projection Installation

By Jianna So '22

Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By Ali Vaughan '19

Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21

People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By Cathy Yang '20
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