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Anushikha Anushikha '25
A watercolor painting of Stanford Campus
Link to Website
2023
Acrylic Painting
By Anushikha Anushikha '25
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
Photograph of Performance (solo play)
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
Acrylic Paint on Wood
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
46″ x 32”
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.
Projection Installation
This project was done on a ten-day summer trip to my family’s ranch.
Environmental Photographs
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
Pencil and paper