Student Artist
Tyler Su '20
Mechanical Engineering 2020 @tylerxsu
Public Art Installations
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The Show
Oh! The Puppet Show begins! Here I am the puppet master presenting the BOSP Poland Overseas Seminar with my puppet show I made entirely from scratch!
2017
Photograph of Performance
By Maxwell Menzies '20
Still Life of a Support System
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
By Bryan Defjan '24
Feminism!
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
2016
Digital art
By Katherine Liu '18
Cat in Paris
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
By Sarah Dong '26
Figure 57
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
Riven
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
2017
Digital Visual Art
By Andrew Lesh '19
My Boy
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
Odonata
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
2024
Sculpture
By Cooper Shea '24
Wilting tree
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
By Brooke Ferber '20
Queer Intimacy
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Maasai Warriors
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
2016
Charcoal
By Angela Liu '23
What We Build
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
2019
Adobe Photoshop Illustration
By Helen He '23
Il Fait Noir
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
Untitled
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
Sunset at Sutro Baths
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
2022
Oil paint on canvas
By Christina Kent '22
Where Language Begins and Does Not End
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
Best Value
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
2023
Acrylic on Canvas
By Sharon Zhang '27
Black Liberation Month Community Mural
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
By Sky Walker '24