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Dayeeta Pal '27
An abstract perspective of a cityscape.
2021
Water Color on Paper
By Dayeeta Pal '27
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Link to Website
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
Location: Law School terrace
2020
Digital Illustration
Shriram California photos
Digital photographs
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
Oil Paint on Canvas
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
2024
Oil on Canvas
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
gouache on paper
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Photography
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
2017
46″ x 32”
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
Digital inkjet print
Self portrait at the height of COVID and my own extraordinary depression.
Oil paint on canvas
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
Acrylic Paint on Canvas
[how I avoid winter quarter: experiments with colors and a palette knife]
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
2016
Charcoal
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
(No description)
Watercolor on Paper