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Student Artist
Symbolic Systems 2018 @petrichorate
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Link to Website
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
Location: Lathrop 24/7 Study Room
2022
Digital Illustration
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
Graphic Design and Print
Continuation of After Class Hours.
2020
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
Oil on Canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
A portrait of a good dog.
Acrylic Paint on Canvas
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
2024
Sculpture
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
I love the idea of a personal brand, especially in 2016.
2014
Color Film
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
gouache (two images combined digitally)
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
Ink Resist
A vivid rainbow above the hoover tower
2017
Photograph of nature
Location: Main Quad
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography