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Yifei He '22
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Link to Website
Photography Series
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
Digital Photograph
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Photographs
I am lucky enough to witness Lagunita being a real lake.
2017
Photo
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
Colored Pencil on Paper
This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea. Link to Artwork
Writing
A cat in a Japanese restaurant.
3D computer graphics
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
Quad is always changing amazingly.
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
She wipes the mask off after a long day.
Photoshop
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.