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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Nick Love '20

Medicine 2020

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Stanford: a-map-without-borders

Ode to Stanford

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How Small Are We?

Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling

2020

acrylic on cardboard

By Helena Zhang '22
Ducks of Stanford

Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students

2018

Digital photography prints

By Soraya Fereydooni '20
On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25
Mount Daly

Mount Daly in Snowmass, Colorado

2022

Gouache paint on watercolor paper

By Leela Mahajan '25
Internet Series #1

This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.

Link to Website

2022

Interactive Digital Work

By Mhar Tenorio '24
Untitled

A faceless woman in a room of South Vietnamese soldiers

2022

Graphite on Paper

By Lily Thai '27
Flavors of Friendship

An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.

2024

Gouache on Paper

By Arethea Lim '24
Stanford Logo Photo Mosaic

Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.

2020

Digital Photograph

By Alex Fu '22
A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By Katie Adams '17
“Nothing Gold Can Stay”

This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.

2014

Acrylic on canvas 24″x 24″

By Alexis Ivec '21
Salu-Salo (The Act of Eating Together)

This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.

2024

Monoprints on food wrapping paper, laser cut stencils

By Mhar Tenorio '24
Untitled

A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.

2019

Oil paint on Canvas

By Mackenzie Carlson '23
Carnage in the Natural World

This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope.
Link to Artwork

2023

Poetry

By Brooklynn LiCastro '23
After Class Hours

Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.

2019

Digital Illustration

By Helen He '23
After Class Hours
Self Portrait

A self portrait done in the style of the Old Masters.

2014

Oil Paint on Canvas

By Francesca Colombo Colombo '19
self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21
Untitled

A ghostly woman draped in a silk shawl and pearls.

2022

Charcoal

By Jessica Lee '22
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
Ritual

“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.

Link to Website

2020

Interactive narrative horror game/file explorer experience

By Noah DeWald '20
Back Out

This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.

2020

India Ink on Paper

By Regina Kong '22
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