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This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
By Dayeeta Pal '27
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
By Bryan Defjan '24
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
By Felicity Huang '25
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
By Katherine Yang '20
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
2021
Oil Paint on Canvas
By Christina Ba '26
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
By Francesca Colombo Colombo '19
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
2016
Digital art
By Katherine Liu '18
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
2019
Adobe Photoshop Illustration
By Helen He '23
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
By Mhar Tenorio '24
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
By Austin Kim '27
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
2022
Oil paint on canvas
By Christina Kent '22
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22