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Jorie Coe '22
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
By Jorie Coe '22
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
2019
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Link to Website
2021
Acrylic Paint on Canvas
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
*sixth photograph of Hidden Gems series
Series of Photographs
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
Collage, ink pen
I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.
2016
Color Film
A surreal portrayal of the cost of modern designer fashion culture.
Scratchboard
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
I love the idea of a personal brand, especially in 2016.
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
This image plays with scale, texture, and the physicality of water.
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Interactive narrative horror game/file explorer experience
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
Projection Installation
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
This is a picture of the hub of the city getting reflected in the river water.
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure