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Cathy Yang '20
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
By Cathy Yang '20
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
2020
Acrylic gouache on Yupo Polypropylene Paper
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
2018
Oil Paint on Canvas
Quad is always changing amazingly.
2017
Photo
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
Digital Photographs
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
Colored Pencil on Paper, Digital
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
Digital inkjet print
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
Link to Website
2024
Video Art (with sound)
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Photography
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
Monoprints on food wrapping paper, laser cut stencils
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
Gouache on Paper
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
acrylic on wood
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
Watercolor