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Student Artist
Undeclared 2024 @mhar.t
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
2017
Oil on Canvas
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
2016
Black & white photography
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
2019
Photography
(No description)
2022
Watercolor on Paper
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
Photo
Location: Lathrop 24/7 Study Room
Digital Illustration
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
Mixed Media
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
monotype on paper
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
Collage, ink pen
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Oil on canvas
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
The Countour of White Sands NP
2023
Photograph
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
Two girls, Cloud and Moon, are safe in space.
Photoshop