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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Mhar Tenorio '24

Undeclared 2024 @mhar.t

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Salu-Salo (The Act of Eating Together)

Internet Series #1

Expression

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prayer

“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.

Link to Website

2021

Projection Installation

By Jianna So '22
Mirror in my mind

An exploration of nature’s healing power as an avenue for escapism and introspection.

2022

Ballpoint and pencil on paper

By Bryan Defjan '24
Il Fait Noir

Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”

2019

Photograph of Man in Paris

By Charlie Jarvis '19
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By Katie Han '23
Waste Mismanagement

A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.

2019

Digital illustration and collage

By Elaine Park '21
˗ˏˋ safe ☽ ˎˊ˗

Two girls, Cloud and Moon, are safe in space.

2018

Photoshop

By Angela He '21
Untitled

A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.

2018

Mixed Media/Collage

By Lilith Frakes '21
Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20
Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By Cooper Shea '24
No RECAmpense

I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.

2023

35mm Photography

By Weston Keller '27
A Hand To Hold (World)

This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.

2018

Acrylic paint and multimedia on canvas

By Jorie Coe '22
Áo Dài in Seven Parts

Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.

2023

Charcoal and Mixed Media on Salvaged Cotton and Organza

By Lily Thai '27
Dish in layers

Lucky to witness a green Dish.

2017

Photo

By Lining Sun '18
Divination Is In Our Hands Now

Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.

2018

Digital Photographs

By Kevin Chappelle '19
Banjo

A portrait of a good dog.

2020

Acrylic Paint on Canvas

By Anneke Claypool '21
Expression

This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.

2021

Digital 3D Render

By Mhar Tenorio '24
Tale of Two Cities

I created this piece in order to show a city full of life in contrast to one that is merely an outline.

2016

Acrylic on Paper

By Amelia Talkington '22
Circulate

Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.

Link to Website

2019

Acrylic tube, yarn, metal hardware, wood, epoxy resin

By Savannah Mohacsi '20
Creative limitation

Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom

2016

Black & white photography

By Soraya Fereydooni '20
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