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Helen Liu '20
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
A faceless woman in a room of South Vietnamese soldiers
2022
Graphite on Paper
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
2024
print
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
Linoleum Block Print on Paper
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
Acrylic Paint on Canvas
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
Girl has a moment of clarity when her head is in the clouds.
2018
Photoshop
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Link to Website
Still from a web series
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
2023
3D Arduino installation, interactive poetry
Lucky to witness a green Dish.
Photo
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Photography