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Student Artist
Math, Political Science 2027 @apoorvaartgallery
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
Graphite
This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!
2021
Digital Photograph of Paper Collage
This is a photo taken in the Main Quad.
2018
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
She wipes the mask off after a long day.
Photoshop
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
Oil Paint on Canvas
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
Algorithmic Art made with Processing
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
Acrylic Paint on Canvas
As a landscape photographer, I like to see things in different light.
Photo with artistic editing
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Link to Website
Analog Film
A medium exploration of painting on windows screens.
window screens, oil paint
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
Digital Illustration
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
Oil paint on panel
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
Oil on canvas