View Public Art
Saturday, October 26
Buy tickets
Start Making
By Topic
Career Pathways
Other Opportunities
Learn More
About Us
People
Connect with us
Alex Fu '22
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
A medium exploration of painting on windows screens.
2018
window screens, oil paint
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
Link to Website
song / soundscape
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
Photograph
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
Digital Photographs
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Oil Paint on Canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Interactive narrative horror game/file explorer experience
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
2016
Charcoal
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
Enamel Paint
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
2022
Interactive Digital Work
This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.
2021
Acrylic Paint on Canvas
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Photography
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.