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Student Artist
Bioengineering PhD 2023
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
2022
Oil paint on canvas
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
Link to Website
2023
3D Arduino installation, interactive poetry
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
Oil on canvas
This image plays with scale, texture, and the physicality of water.
2016
Color Film
A mother lamb takes gentle care of her newborn.
2019
Oil Paint on Canvas
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
2018
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
Collage, ink pen
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
An ongoing series attempting to create an emotive instant through color theory principles
2017
She wipes the mask off after a long day.
Photoshop
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
MultiMedia(Charcoal and Colored Pencil)
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.