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Student Artist
Undeclared 2020 @meggmcnulty
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Link to Website
2020
Analog Film
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
Oil paint on found wood
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
Acrylic Paint on Canvas
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
2019
Photograph
A vivid rainbow above the hoover tower
2017
Photograph of nature
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
Girl restrains her tears for, hopefully, the last time.
Photoshop
This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope. Link to Artwork
2023
Poetry
This is a photo taken in the Main Quad.
Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
Wood sculpture, Metal Sculpture. Can also display photos attached instead
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
Oil Paint on Canvas
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
Acrylic on Canvas
This is a picture of the hub of the city getting reflected in the river water.
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
Photography/digital collage