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Student Artist
Undeclared 2020 @meggmcnulty
A sketched self-portrait replaced into its photographic context.
2020
Graphite on Paper, Photograph
Androids may dream of electric sheep, and electric sheep …
2022
doodle
A fantastical city illustrating a water-based transportation system.
Digital painting
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Link to Website
2018
Video Art
Oil on Canvas
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
Oil paint on canvas
Location: Lathrop 24/7 Study Room
Digital Illustration
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
Acrylic on Canvas
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
Self portrait at the height of COVID and my own extraordinary depression.
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas