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Lily Thai '27
(No description)
2022
Watercolor on Paper
By Lily Thai '27
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
Photograph
Mice own your belongings at night.
2016
Charcoal Pencil on Paper
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
Link to Website
2024
Video Art (with sound)
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
2023
Oil Paint on Canvas
A portrait of a good dog.
2020
Acrylic Paint on Canvas
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
Enamel Paint
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
2018
Markers on paper
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
song / soundscape
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
Acrylic on Canvas
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
acrylic on canvas
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
Installation: printed plastic sheeting (pictorico), fishing wire
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
Acrylic on canvas, some collage from a news story
How do you heal after being discarded?
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art