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Chase Porter '17
I love the idea of a personal brand, especially in 2016.
2014
Color Film
By Chase Porter '17
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
Two girls, Cloud and Moon, are safe in space.
Photoshop
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
2022
Oil Paint on Canvas
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
Link to Website
2023
3D Arduino installation, interactive poetry
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
2021
Acrylic Paint on Canvas
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
Acrylic on Paper
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
code poems
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
Charcoal
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
Photography
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
Mixed Media: paper collage with ink and watercolor