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Laura Anderson '21
*sixth photograph of Hidden Gems series
2019
Series of Photographs
By Laura Anderson '21
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
2017
Oil paint and paper on paper
Impressions of animal magnetism and the collective unconscious.
Digital Visual Art
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
2022
Oil paint on canvas
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
monotype on paper
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
Acrylic paint and multimedia on canvas
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
Photograph/Scanned Image
A series of photo edits of everyday moments at Stanford.
Digital Art
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
Studio photography
(Work in progress) Monstera in grayscale w/ orchre yellow stems
2024
Oil on Canvas
Bright orange poppies burst into the foreground framed by cool blue houses behind.
Oil paint on panel
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
Colored Pencil on Paper, Digital
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
Original origami flowers on red and silver foil paper; Arranged with silk leaves
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Self portrait at the height of COVID and my own extraordinary depression.
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas