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Laura Anderson '21
*sixth photograph of Hidden Gems series
2019
Series of Photographs
By Laura Anderson '21
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
“I’ve loved you since the day I met you”
Acrylic on Canvas
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
2018
Markers on paper
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Taken while walking in my hometown of Washington, D.C.
Photograph
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
Watercolor and black ink
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
Oil paint, acrylic paint, and IUD on wood panel
This piece is a manipulated photograph printed on metal.
Mixed Media on Metal
Quad is always changing amazingly.
2017
Photo
A series of photo edits of everyday moments at Stanford.
Digital Art
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
Acrylic Paint on Canvas
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
Photographs
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard