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This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
By Ali Vaughan '19
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
By Brooke Ferber '20
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
By Renata Starbird '21
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
2023
Acrylic on Canvas
By Sharon Zhang '27
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
By Sarah Dong '26
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
2018
Colored Pencil on Paper
By German Enik '22
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
2022
Photography/digital collage
By Vrinda Suresh '21
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
By Elias Gálvez-Arango '
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
2018
Markers on paper
By Alejandro Poler '19
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
By Sreya Halder '23
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
By Vedika Kanchan '23
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
By Jessica Yeung '21
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
By Cathy Yang '20
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20