View Public Art
Saturday, October 26
Buy tickets
Start Making
By Topic
Career Pathways
Other Opportunities
Learn More
About Us
People
Connect with us
Jeramiah Winston '19
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
By Jeramiah Winston '19
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
A medium exploration of painting on windows screens.
window screens, oil paint
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
Girl meets whale.
Digital Illustration
Taken while walking in my hometown of Washington, D.C.
2020
Photograph
I created this piece in order to show a city full of life in contrast to one that is merely an outline.
2016
Acrylic on Paper
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
Photography
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
Oil paint on canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Oil Paint on Canvas
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
Acrylic paint on canvas
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
2021
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
Mixed Media
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Quad is always changing amazingly.
Photo
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
acrylic and mixed media