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Mingqi Shuai '26
Androids may dream of electric sheep, and electric sheep …
2022
doodle
By Mingqi Shuai '26
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
2017
Digital Visual Art
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Link to Website
2018
Video Art
Quad is always changing amazingly.
Photo
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
Wood sculpture, Metal Sculpture. Can also display photos attached instead
This is a picture of the hub of the city getting reflected in the river water.
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
Oil Paint on Canvas
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
acrylic on wood
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
cloudy with a chance of love
Digital illustration
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
This piece is a manipulated photograph printed on metal.
Mixed Media on Metal