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Student Artist
Environmental Anthropology, Dance 2019 @cliburnius
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.
2017
Digital Visual Art
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
2018
Oil paint on canvas
(Work in progress) Monstera in grayscale w/ orchre yellow stems
2024
Oil on Canvas
Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.
2016
Black and White photography
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
Lucky to witness a green Dish.
Photo
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
Photograph of Athletics
Location: Main Quad
2023
Digital Illustration
A surreal portrayal of the cost of modern designer fashion culture.
Scratchboard
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
Acrylic and Collage on Canvas 30 x 40 in
An ongoing series attempting to create an emotive instant through color theory principles
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
Link to Website
2021
Photography
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Mimicking the beauty of bioluminescence.
Digital Photography
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
A medium exploration of painting on windows screens.
window screens, oil paint