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Resources For
Vanishing Act II
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
By Noah DeWald '20
Internal Reflections
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
2018
Oil Paint on Canvas
By Lorena Diosdado '21
After Class Hours
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23
Bruises
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
By Nan Munger '20
Humanity in the operating room
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
By Soraya Fereydooni '20
Back Out
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
Ozymandias
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
By Noah DeWald '20
Some kid I found on a Youtube thumbnail
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
2019
Colored Pencil on Paper, Digital
By Jessica Lee '22
The Art of Binaural Beats
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
hide my emotions
Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“
2018
Photoshop
By Angela He '21
Photography
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
By Yifei He '22
