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In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
By Darren Shiao '27
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.
2021
Digital 3D Render
By Mhar Tenorio '24
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
2016
Digital Photograph
By Connor Gilmore '21
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
By Will Pangburn '29
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
2017
Adobe Photoshop Illustration
By Helen He '23
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
By Bryan Defjan '24