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Fathom by Camilla Utterback
Stanford Computing and Data Science building (CoDa)

Fathom by Camille Utterback

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

Roble Arts Gym

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Katie Adams '17

Film and Media Studies 2017 @atbayseries, tickled_gingerr, jaymoon

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A Still from At Bay: Chapter One – How to Start a Startup

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Clyde

This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!

2016

Colored pencil

By Angela Liu '23

Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19

Vortex

An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.

2016

Digital Visual Art

By Andrew Lesh '19

coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21

Pavilion

Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.

2018

Digital Rendering

By Akshay Dinakar '19

Self-Portrait Mask

A sketched self-portrait replaced into its photographic context.

2020

Graphite on Paper, Photograph

By Phoebe Kimm '20

A Sonnet for the Bygone Earth

My artwork is a sonnet in which two stars reminisce about Earth.
Link to Artwork

2023

Poem

By Jenny Xiong '24

end.

Roses bloom from her cuts.

2018

Photoshop

By Angela He '21

The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23

Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20

Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By Bryan Defjan '24

Reflections

This is a picture of the hub of the city getting reflected in the river water.

2021

Acrylic Paint on Canvas

By Dayeeta Pal '27

Truth

I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.

2018

Acrylic paint on canvas

By Nicola Buskirk '22

Palm Tree Paradise?

These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?

2018

Photograph of campus scenes

By Khuyen Le '21

What We Build

Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.

2019

Adobe Photoshop Illustration

By Helen He '23

Best Value

This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.

Link to Website

2023

Acrylic on Canvas

By Sharon Zhang '27

More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26

Rancho de San Luis, JAL, MX

August on my family’s ranch in Jalisco, México.

Link to Website

2017

Environmental Photographs

By Kamilah Nicalli Arteaga '22

cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By Elaine Park '21

Memory

A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.

2018

Mixed Media

By Noah DeWald '20
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