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California Dreaming: Echoes of Change through Analog Film
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
Eyes Over
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
By Noah DeWald '20
“Vast, grafted monoculture”
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
2020
Vector drawing and photography
By Vrinda Suresh '21
Humanity in the operating room
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
By Soraya Fereydooni '20
I’m looking at you
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
By Daniel Richman '27
Heal
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
2022
Pencil on paper
By Bryan Defjan '24
Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Your Grandpa Kimo Weaves Lauhala
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
2023
Oil Paint on Canvas
By Kea Kahoilua Clebsch '26
Glacier Portrait
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
2016
Mixed media (oil paint, charcoal, pastel, grass) on canvas
By Tyler Dunston '18
coffee showers
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
By Elaine Park '21
Crushed
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
Amboseli
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
2016
Acrylic Paint on Canvas
By Angela Liu '23
Bird Watching
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
La Honda Mushroom
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
2018
Photography
By Nicholas Robles '20
Photograph of the Campus
This is a photo taken in the Main Quad.
2018
This is a photo taken in the Main Quad.
By Cuiping Cai '22
Breaking Point
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
2020
Boulder & Rope
By Paige Warmington '22
Queer Intimacy
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24