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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Nibha Akireddy '

Bh

Artwork: Bh

2020

Oil on Canvas

By Nibha Akireddy '

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Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
Oh, Dear

This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.

2015

Oil on canvas

By Shin Mei Chan '18
Germination

This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.

2018

Photograph of a physical collage (paper, printed image)

By Isabel Benak '22
Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By Annie Ng '20
Black Liberation Month Community Mural

This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”

2023

Acrylic on Paper

By Sky Walker '24
Arches by Picasso

A sense of colorful peace

2018

painting on computer

By Lining Sun '18
Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By Katie Han '23
Last Light over Coit Tower

The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.

2022

Oil paint on canvas

By Christina Kent '22
Salu-Salo (The Act of Eating Together)

This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.

2024

Monoprints on food wrapping paper, laser cut stencils

By Mhar Tenorio '24
Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
View from Lower Haight

Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.

2022

Oil paint on canvas

By Christina Kent '22
Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21
David

“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.

2018

Blender 3D Render

By Noah DeWald '20
Nangeli

The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.

2022

Mural

By Aatika Singh '28
Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By Cooper Shea '24
untitled (screen painting)

A medium exploration of painting on windows screens.

2018

window screens, oil paint

By Vivienne Le '19
Moonrise

This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.

2018

Acrylic paint on canvas

By Nicola Buskirk '22
Grief

This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.

2017

Charcoal and Pencil on Paper

By Annie Ng '20
Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20
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