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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Crystal Chen '22

Economics 2022 @iseeucrystalclear

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Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

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Untitled Cacti

Experimentation with natural forms and light.

2018

Photograph

By Noah DeWald '20

Back Out

This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.

2020

India Ink on Paper

By Regina Kong '22

self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21

The Spire of Notre Dame

Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.

2020

Pen and Ink

By Sarah Dong '26

Harbor

These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.

2019

Digital Photographs

By Laura Anderson '21

Yin and Yang of the Bay

The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.

2020

Photography

By Melissa Boswell '21

Reflections

This is a picture of the hub of the city getting reflected in the river water.

2021

Acrylic Paint on Canvas

By Dayeeta Pal '27

Night Owl

Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.

2019

Acrylic on canvas

By Julia Gillette '20

Take

I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.

Link to Website

2016

Color Film

By Chase Porter '17

The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23

BLACK:RED

An ongoing series attempting to create an emotive instant through color theory principles

2017

Acrylic on Canvas

By Tyler Su '20

Mirror in my mind

An exploration of nature’s healing power as an avenue for escapism and introspection.

2022

Ballpoint and pencil on paper

By Bryan Defjan '24

coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21

Wind

Released some restless energy onto paper with this portrait sketch.

2020

Graphite on Paper

By Phoebe Kimm '20

Figure 57

A fun, surreal piece exploring themes related to the modern food industry.

2014

Watercolor on Paper

By Noah DeWald '20

Moss Landing

Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.

2017

Watercolor and Pencil

By Alberto Arvayo '18

Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By Katie Han '23

David

“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.

2018

Blender 3D Render

By Noah DeWald '20

On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25

Burnout

This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.

2020

Digital Illustration

By Felicity Huang '25
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