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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Interdisciplinary Arts

Do you defy categorization? Do you reach across disciplinary boundaries and find connections between sometimes disparate fields?

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Still I Rise

Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05

Link to Website

2018

Video Art

By Chun Wang '19
The Cabbage Lady

This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.

2020

Digital Art

By Majorca "Jorie" Bateman-Coe '20
The Countour

The Countour of White Sands NP

2023

Photograph

By Weilai Yu '22
Static

I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.

2020

gouache on paper

By Katie Han '23
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.

2020

Collage & ink pen

By Kyle Cromer '20
Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20
Some kid I found on a Youtube thumbnail

I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.

2019

Colored Pencil on Paper, Digital

By Jessica Lee '22
My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20
Newborn

A mother lamb takes gentle care of her newborn.

2019

Oil Paint on Canvas

By Tracy Wei '26
SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25
The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By Victoria Chiek '22
hide my emotions

Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“

2018

Photoshop

By Angela He '21
The Ritual

My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.

2020

Acrylic Paint on Canvas

By Hannah Cha '25
Light Shower

A light spring shower wakes the soul.
Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.

2019

Photoshop

By Tianxing Ma '19
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29
Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By Sarah Dong '26
Abundance

I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.

2023

Oil on Canvas

By Jang Lee '27
Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By Katherine Yang '20
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