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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Interdisciplinary Arts

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Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25
Community

Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat

2023

Wood sculpture, Metal Sculpture. Can also display photos attached instead

By Saanvi Bhatia '27
Harbor

These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.

2019

Digital Photographs

By Laura Anderson '21
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
Figure 57

A fun, surreal piece exploring themes related to the modern food industry.

2014

Watercolor on Paper

By Noah DeWald '20
Elevation

Serenity from within results from letting go.

2014

Watercolor

By Sophia Lu '19
Lost Between Worlds

Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By Helen Liu '20
Digital Future

This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
California

Shriram California photos

2019

Digital photographs

By Katie Han '23
Green Library -3

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2018

Photo

By Lining Sun '18
Mourning Window

This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.

2016

Acrylic on Canvas

By Noah DeWald '20
Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20
Transparency

A commentary on the fifth stage of grief: acceptance.

2021

Acrylic on Canvas

By Victoria Lin '27
tide

An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.

2018

Oil paint on canvas

By Cairo Mo '20
Amboseli

Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.

2016

Acrylic Paint on Canvas

By Angela Liu '23
Clyde

This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!

2016

Colored pencil

By Angela Liu '23
“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.

2022

Digital

By Helena Zhang '22
Best Value

This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.

Link to Website

2023

Acrylic on Canvas

By Sharon Zhang '27
Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17
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