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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Eligibility & Timeline

Student Eligibility

The following criteria applies to both program tracks (pre-arranged and self-designed internships:

  • Open to current Stanford undergraduate students (freshman, sophomores, and juniors) from all academic disciplines.
    • Priority will be given to students who have not previously participated in SIPA or the Lyric McHenry Community Arts Fellowship.
    • Co-terms and graduating seniors are not eligible for either track.
  • Students are only eligible for one Stanford-funded summer experiential learning opportunity during the 2026-27 academic year (inclusive of summer).
    • If students choose to participate in either track of SIPA, they will not be eligible for another Stanford-sponsored full-time funding opportunity (e.g., another Cardinal Quarter opportunity, Global Studies Internship Program, Undergraduate Research Major Grants, Chappell Lougee, VPA Senior Grant, full-time departmental and faculty research grants, Beagle II Award, etc.).
    • Part-time opportunities (such as an Undergraduate Research Small Grant or another on-campus part-time internship) may be feasible for some SIPA pre-arranged, on campus internships. Contact program staff to discuss eligibility.

Key Dates

SIPA is only available for Summer 2027 internships. Students interested in internship stipends during the academic year may be eligible for funding through the Haas Center’s Cardinal Quarter or Community Service Work-Study programs.

Info Sessions

  • January 13, 2027: How to: SIPA (info session)

Application Timeline

  • November 13, 2026: Application opens
  • February 11, 2027 @ 11:59pm (Pacific): Deadline for Round 1 pre-arranged internships
    • late February/early March 2027: Semi-finalist interviews take place for selected candidates.
    • mid-March 2027: Pre-arranged internship finalists notified. Students have up to 48 hours to accept/decline an offer.
  • March 15, 2027 @ 11:59pm (Pacific): Deadline for self-designed internships
    • Completed Host Organization Questionnaire forms are also due by this deadline!
    • early April 2027: Semi-finalist interviews may take place for selected candidates.
    • mid-April 2027: Self-designed internship finalists notified. Students have up to 48 hours to accept/decline an offer.
  • May 2027: All Students complete online orientation via Canvas.
  • late May 2027: Stipends paid via Student Financial Services.
  • June/July 2027: Internships begin
  • August/September 2027: Internships end

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Reach out with questions:

Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

Monstera

(Work in progress) Monstera in grayscale w/ orchre yellow stems

2024

Oil on Canvas

By '28
“Nothing Gold Can Stay”

This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.

2014

Acrylic on canvas 24″x 24″

By '21
Bird Watching

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.

2019

Photograph

By '22
The Quad

Quad is always changing amazingly.

2017

Photo

By '18
Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By '25
Storytime

I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.

Link to Website

2020

song / soundscape

By '20
Soldier I

This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.

2016

Acrylic, charcoal, and india ink on paper

By '19
Feminism!

This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!

2016

Digital art

By '18
Nostalgia

This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.

2017

Oil Paint on Canvas

By '19
I Am Home

This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.

2017

Oil on Canvas

By '19
Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
Link to Artwork

2024

print

By '25
a flower book

February is a gray month, but these flowers bloomed anyway.
Link to Artwork

2024

sublimation print on synthetic blue satin

By '26
Tidal Dance ⋆.˚ ☼⋆ 。 ˙༄.°

The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul. –Robert Wyland

2023

Digital Media – Made in Procreate for Apple iPad

By '28
Firenze

A colorful view of buildings and the sky over Florence (Firenze).

2014

Oil Paint on Canvas

By '19
BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By '17
Urban Constellations

San Francisco at dusk is illuminated by pinpoints of light on the distant hills.

2022

Oil paint on panel

By '22
Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By '23
Moonrise

This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.

2018

Acrylic paint on canvas

By '22
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.

2020

Scanned magazine collage, colour pencils, and pen on Sketchbook

By '22
Self Portrait

A self portrait done in the style of the Old Masters.

2014

Oil Paint on Canvas

By '19
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