Art & Art History
Announcing the Lyric McHenry Community Arts Fellowship
New fund gives Stanford undergraduates the opportunity to spend a summer working full time in the arts with a focus on racial/social justice issues.
It is with great pride that we announce the Lyric McHenry Community Arts Fellowship, at the Institute for Diversity in the Arts at Stanford University. This program is named and funded in honor of Lyric McHenry Stanford class of 2014. While at Stanford, Lyric interned at IDA, majored in Comparative Studies in Race and Ethnicity,…
Read More Professor emerita Kristine Samuelson earns Oscar nomination
KRISTINE SAMUELSON, the Edward Clark Crossett Emerita Professor of Humanistic Studies, and Stanford alumnus JOHN HAPTAS have earned an Oscar nomination for best documentary short for their film Life Overtakes Me. The film, which premiered at the 2019 Sundance Film Festival and is now streaming on Netflix, examines a mysterious illness, Resignation Syndrome, that causes traumatized refugee children…
Read More Winter quarter 2020 guest artists
The roster of winter quarter guest artists includes talent from around the globe. Melbourne Australia’s Choir of Trinity College performs with the Stanford Chamber Chorale; Chinese dance legend and renowned choreographer Yang Liping presents her reimagined production of Rite of Spring to Memorial Auditorium; Maqueque, a collective of female artists from Cuba led by Canadian Jane Bunnett,…
Read More Saying hello to OY/YO at Cantor Arts Center
Deborah Kass’ bold sculpture welcomes guests from its new home at Stanford’s Cantor Arts Center.
Cantor Arts Center hopes its newest sculpture, OY/YO by artist Deborah Kass, acts as an extension of the museum’s new vision to present art and ideas in contemporary and inclusive ways. The piece was installed Dec. 20 and is now on view to the public. Deborah Kass (U.S.A., b. 1952), OY/YO, 2019. Aluminum, polymer and clear coat, 96 x 194.5…
Read More Light-based works of Jim Campbell flicker and ebb at the Anderson Collection
Campbell’s electrified works prompt visitors to see the surrounding permanent collection in a new light.
A temporary exhibition of light-based works by Jim Campbell is on view at the Anderson Collection at Stanford University through Aug. 3, 2020. Eleven of the artist’s large- and small-scale works are installed throughout the permanent collection of post-war American art on both floors of the museum. Guests at the Anderson Collection’s fifth-anniversary celebration view “Rhythm Studies…
Read MoreArtwork installed at Stanford Redwood City
Workspace is infused with hundreds of works of art.
One of the final steps in transforming Stanford Redwood City from a state-of-the-art campus into a vibrant workplace is the recently completed installation of more than 300 works of art, including paintings, murals and artist posters throughout the campus. The artworks were chosen to complement the contemporary look of the interior architecture and speak to…
Read MoreStanford students challenge perspectives through art
Stanford student-artists showcase original artwork that challenges perspectives in the Sixth Annual Undergraduate Juried Exhibition, on display at the Stanford Art Gallery through Dec. 7.
Stanford student-artists are challenging perspectives of everything from class to culture to environments in an exhibit called Reversals: Sixth Annual Undergraduate Juried Exhibition. Presented by the Department of Art and Art History in the School of Humanities and Sciences, the exhibition features original works by student-artists from an array of academic backgrounds. The show premiered…
Read More The devil in the McMurtry Building
Hanging on the walls of a long hallway in the basement of the McMurtry Building are the demonic creations of Stanford art students. The artworks offer various interpretations of Satan himself, in all his ghoulish and nefarious glory. They are part of an exhibition called El Chamuco, the Devil Is Around, presented by the Department…
Read More Anderson Collection at Stanford University announces the acquisition of two major works by Pollock, de Kooning
The donation by the late Mary Margaret “Moo” Anderson comes as the museum commemorates its fifth anniversary and launches a new fundraising effort.
To mark its fifth anniversary, the Anderson Collection at Stanford University was gifted two major works of art, Jackson Pollock’s 1944 Totem Lesson 1 and Willem de Kooning’s c. 1949 Gansevoort Street, by its eponymous supporter Mary Margaret “Moo” Anderson. Anderson donated the works in advance of her death on Oct. 22 in anticipation of the launch of a tandem effort to raise $10…
Read More Mary Margaret “Moo” Anderson, art collector and generous friend of Stanford University, dies at 92
Local resident Moo Anderson and her family gifted Stanford a celebrated collection of postwar and contemporary American art and her prized collection of art books and catalogs.
Stanford donor Mary Margaret “Moo” Anderson died Oct. 22 at her Bay Area Peninsula home surrounded by her family. She was 92. In 2011, Moo, her late husband, Harry “Hunk” Anderson, and their daughter, Mary Patricia “Putter” Anderson Pence, pledged the core of the family’s 20th-century American art collection to Stanford University. The original collection…
Read More Stanford’s Coulter Art Gallery hosts Enrique Chagoya exhibition
Through his work – now on exhibit in the Coulter Art Gallery – Stanford professor of art and art history Enrique Chagoya explores issues of ethnicity, immigration and borders.
An exhibition of the recent work of Enrique Chagoya, professor of art and art history, is on view at the Coulter Art Gallery in the McMurtry Building through Dec. 6. The survey of paintings, drawings and prints, titled Detention at the Border of Language, spans two decades in Chagoya’s career and is presented by the Department of Art and…
Read More Stanford student band records at historic San Francisco studio
Pass By Catastrophe’s recently released debut Extended Play album was recorded at Hyde Street Studios, which has hosted some of the world’s biggest musical acts, including Kanye West and Green Day.
Over the last year and a half, indie rock band Pass By Catastrophe has made a name for itself in the Stanford music scene with live performances across campus. Now the group is expanding the reach beyond the Farm with the recently released, self-titled debut EP, which was recorded at one of the Bay Area’s most historic…
Read More Stanford University announces collaboration with Sundance Institute New Frontier Lab Programs designed to heighten creative visibility in underrepresented sectors
Sundance New Frontier Story Lab Fellow Stephanie Dinkins will further develop the “mind” of a learning artificial intelligence entity while on campus.
Stanford’s new Institute for Human-Centered Artificial Intelligence (HAI), an interdisciplinary, global hub for artificial intelligence thinkers, learners, researchers, developers, builders and users, co-hosts its first HAI artist resident. The residency is a collaboration with Sundance Institute’s New Frontier Lab Programs (NFLP) and co-hosts on campus are the Office of the Vice President for the Arts…
Read More Looking at Richard Diebenkorn at the Cantor
The Stanford exhibition celebrates a great American painter and alumnus.
American painter Richard Diebenkorn’s connection to Stanford is deep as well as broad. Not only was Diebenkorn an alum, but even after his death in 1993, his impact has continued on campus thanks to the number of significant artworks given and lent to Stanford, the digitization of his sketchbooks and the documented examination via infrared…
Read MoreThe Anderson Collection at Stanford University celebrates its fifth anniversary
In a Q&A, Anderson Collection Director Jason Linetzky looks back at the first five years and anticipates what is to come.
Five years ago, on Sept. 21, the Anderson Collection at Stanford University opened to the public. What was true then is true now: The remarkable collection that is anchored in the New York School and Bay Area Figuration, and incorporates key modern and contemporary artists collected in depth and across media, is a breathtaking survey of post-World…
Read More The compelling origin story of the Stanford museum, university and Silicon Valley
"The Melancholy Museum: Love, Death, and Mourning at Stanford" highlights the impact of the death of Leland Stanford Jr.
When Jane and Leland Stanford experienced the immense pain of losing their only son, Leland Jr., just before his 16th birthday, they were compelled to enshrine his memory in a meaningful way. The resulting museum and university they founded not only secured young Leland’s place in history – artist Mark Dion argues that this particular…
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