Art & Art History
Artwork installed at Stanford Redwood City
Workspace is infused with hundreds of works of art.
One of the final steps in transforming Stanford Redwood City from a state-of-the-art campus into a vibrant workplace is the recently completed installation of more than 300 works of art, including paintings, murals and artist posters throughout the campus. The artworks were chosen to complement the contemporary look of the interior architecture and speak to…
Read MoreStanford students challenge perspectives through art
Stanford student-artists showcase original artwork that challenges perspectives in the Sixth Annual Undergraduate Juried Exhibition, on display at the Stanford Art Gallery through Dec. 7.
Stanford student-artists are challenging perspectives of everything from class to culture to environments in an exhibit called Reversals: Sixth Annual Undergraduate Juried Exhibition. Presented by the Department of Art and Art History in the School of Humanities and Sciences, the exhibition features original works by student-artists from an array of academic backgrounds. The show premiered…
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The devil in the McMurtry Building
Hanging on the walls of a long hallway in the basement of the McMurtry Building are the demonic creations of Stanford art students. The artworks offer various interpretations of Satan himself, in all his ghoulish and nefarious glory. They are part of an exhibition called El Chamuco, the Devil Is Around, presented by the Department…
Read More Anderson Collection at Stanford University announces the acquisition of two major works by Pollock, de Kooning
The donation by the late Mary Margaret “Moo” Anderson comes as the museum commemorates its fifth anniversary and launches a new fundraising effort.
To mark its fifth anniversary, the Anderson Collection at Stanford University was gifted two major works of art, Jackson Pollock’s 1944 Totem Lesson 1 and Willem de Kooning’s c. 1949 Gansevoort Street, by its eponymous supporter Mary Margaret “Moo” Anderson. Anderson donated the works in advance of her death on Oct. 22 in anticipation of the launch of a tandem effort to raise $10…
Read More Mary Margaret “Moo” Anderson, art collector and generous friend of Stanford University, dies at 92
Local resident Moo Anderson and her family gifted Stanford a celebrated collection of postwar and contemporary American art and her prized collection of art books and catalogs.
Stanford donor Mary Margaret “Moo” Anderson died Oct. 22 at her Bay Area Peninsula home surrounded by her family. She was 92. In 2011, Moo, her late husband, Harry “Hunk” Anderson, and their daughter, Mary Patricia “Putter” Anderson Pence, pledged the core of the family’s 20th-century American art collection to Stanford University. The original collection…
Read More Stanford’s Coulter Art Gallery hosts Enrique Chagoya exhibition
Through his work – now on exhibit in the Coulter Art Gallery – Stanford professor of art and art history Enrique Chagoya explores issues of ethnicity, immigration and borders.
An exhibition of the recent work of Enrique Chagoya, professor of art and art history, is on view at the Coulter Art Gallery in the McMurtry Building through Dec. 6. The survey of paintings, drawings and prints, titled Detention at the Border of Language, spans two decades in Chagoya’s career and is presented by the Department of Art and…
Read More Stanford student band records at historic San Francisco studio
Pass By Catastrophe’s recently released debut Extended Play album was recorded at Hyde Street Studios, which has hosted some of the world’s biggest musical acts, including Kanye West and Green Day.
Over the last year and a half, indie rock band Pass By Catastrophe has made a name for itself in the Stanford music scene with live performances across campus. Now the group is expanding the reach beyond the Farm with the recently released, self-titled debut EP, which was recorded at one of the Bay Area’s most historic…
Read More Stanford University announces collaboration with Sundance Institute New Frontier Lab Programs designed to heighten creative visibility in underrepresented sectors
Sundance New Frontier Story Lab Fellow Stephanie Dinkins will further develop the “mind” of a learning artificial intelligence entity while on campus.
Stanford’s new Institute for Human-Centered Artificial Intelligence (HAI), an interdisciplinary, global hub for artificial intelligence thinkers, learners, researchers, developers, builders and users, co-hosts its first HAI artist resident. The residency is a collaboration with Sundance Institute’s New Frontier Lab Programs (NFLP) and co-hosts on campus are the Office of the Vice President for the Arts…
Read More Looking at Richard Diebenkorn at the Cantor
The Stanford exhibition celebrates a great American painter and alumnus.
American painter Richard Diebenkorn’s connection to Stanford is deep as well as broad. Not only was Diebenkorn an alum, but even after his death in 1993, his impact has continued on campus thanks to the number of significant artworks given and lent to Stanford, the digitization of his sketchbooks and the documented examination via infrared…
Read MoreThe Anderson Collection at Stanford University celebrates its fifth anniversary
In a Q&A, Anderson Collection Director Jason Linetzky looks back at the first five years and anticipates what is to come.
Five years ago, on Sept. 21, the Anderson Collection at Stanford University opened to the public. What was true then is true now: The remarkable collection that is anchored in the New York School and Bay Area Figuration, and incorporates key modern and contemporary artists collected in depth and across media, is a breathtaking survey of post-World…
Read More The compelling origin story of the Stanford museum, university and Silicon Valley
"The Melancholy Museum: Love, Death, and Mourning at Stanford" highlights the impact of the death of Leland Stanford Jr.
When Jane and Leland Stanford experienced the immense pain of losing their only son, Leland Jr., just before his 16th birthday, they were compelled to enshrine his memory in a meaningful way. The resulting museum and university they founded not only secured young Leland’s place in history – artist Mark Dion argues that this particular…
Read More Students minoring in art practice produce a major work of art at the new Stanford Hospital
Two Stanford undergraduates helped paint a mural based on the drawings of the artist Sol LeWitt. The process provided the students with insight into how the visual environment can influence health.
Students Noah DeWald and Savannah Mohacsi were not exactly sure what their summer internship at Stanford Health Care would entail. Apprenticing with master painters to bring to life a conceptual work of art by an iconic 20th-century American artist that will be seen by thousands was beyond their imagination, as was the profound realization that…
Read MoreStanford Live presents a genre-bending musical performance exploring beauty and aesthetics in Robert Mapplethorpe’s photography
"Triptych (Eyes of One on Another)" Oct. 3, 2019, in Memorial Auditorium
Marking 30 years since the death of groundbreaking photographer Robert Mapplethorpe, Triptych (Eyes of One on Another) explores the origins and impact of Mapplethorpe’s controversial photography. This staged musical work produced by ArKtype / Thomas O. Kriegsmann combines orchestra, vocal ensembles, theater, poetry, and photography to re-examine notions of obscenity, race, and aesthetics that Mapplethorpe himself challenged…
Read MoreNew leadership at Stanford’s Institute for Diversity in the Arts
Adam Banks and A-lan Holt are making the arts a core part of the learning experience.
Adam Banks, professor of education in Stanford’s Graduate School of Education, is the new faculty director of the Institute for Diversity in the Arts (IDA). A-lan Holt, formerly the associate and then interim director of IDA, is the new director. Both appointments were made at the end of academic year 2018-19 and they are already…
Read More Psychology graduate student Natalia Vélez is ‘The Science Sketcher’
Natalia Vélez, a psychology PhD student who began sketching during academic talks a year ago, has earned the nickname “The Science Sketcher” for her work, which will begin appearing regularly in the Stanford Psychology Newsletter in the 2019-20 academic year.
In high school, Natalia Vélez got in trouble for doodling during French class, even though she was drawing tiny characters speaking French – accent marks included – in miniature comic strips, using the phrases her teacher was presenting. Vélez, who is now a PhD student in psychology in the School of Humanities and Sciences, said…
Read More New Stanford mural connects campus to local nature, diversity and history
Visit Harmony House, which is located on Lomita Drive, across the street from the Papua New Guinea Sculpture Garden, to see the newest work of public art on campus.
In the waning days of spring quarter, Mother Earth appeared on campus. She arrived without fanfare, although there was music and spontaneous dancing as artist Jess X. Snow painted a Mother Earth figure – made of branches and native California poppies – on an exterior wall of Harmony House, a community center for undergraduate artists. In the…
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