Jia Lin, Remembering: The Fuzhounese Legacy (2024)
#2250
(650)Â 497-9905
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Stanford Arts Institute
Littlefield Center
2nd Floor
365 Lasuen Street
Stanford, CA 94305
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
2019
By Gunner Dongieux '21
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
By Francesca Colombo Colombo '19
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
By Christina Kent '22
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
By Emily Zhang '26
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
By Bryan Defjan '24
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
By Apoorva Panidapu '27
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
2024
Sculpture
By Cooper Shea '24
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
2017
Acrylic Paint on Canvas
By Angela Liu '23
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
By Tyler Su '20
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
By Catherine Mullings '22
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
By Bryan Defjan '24
