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Grad Programs

Jia Lin, Remembering: The Fuzhounese Legacy (2024)

SAI Programs & Initiatives for Grad Students

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Making & Creative Praxis

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Grad Certificate

A new graduate certificate program in Making and Creative Praxis supports students committed to integrating abstract and embodied forms of knowledge, expertise, and artistry. 

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Data Artists

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Grad Student Group

If you work with data and you’re interested in how it can become art, or you’re interested in bringing data into your artistic practice, Stanford Data Artists is the place for you.

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Creative Writing

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Grad Student Group

If you're a creative writer looking for community among fellow grad students, join us for casual writing sessions and meetups.

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Grad Student Mentors

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for Inter-Arts Projects

Grad Mentors provide feedback and guidance for undergrads working on interdisciplinary arts projects.

Inter-Departmental Mail Code

#2250

Office

(650) 497-9905

Fax

(650) 723-8231

Email

artsinstitute@stanford.edu

ADDRESS

Stanford Arts Institute
Littlefield Center
2nd Floor
365 Lasuen Street
Stanford, CA 94305

Refresh Artwork
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Death of Chaos

A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.

2015

Digital Visual Art

By Andrew Lesh '19
Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By Annie Ng '20
Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
Portrait of Queer Person

The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body

2022

Acrylic paint on canvas

By Aileen Rubio '26
Melting Flesh

This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.

2022

3D animation (Blender)

By Laia Bent '25
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Reflections

This is a picture of the hub of the city getting reflected in the river water.

2021

Acrylic Paint on Canvas

By Dayeeta Pal '27
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23
“Vast, grafted monoculture”

This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”

2020

Vector drawing and photography

By Vrinda Suresh '21
Look Behind You

Impressions of animal magnetism and the collective unconscious.

2017

Digital Visual Art

By Andrew Lesh '19
Something You Should Know

Winter 2017, I wrote my first song, ‘Something You Should Know’. After working on the lyrics, production and recording for two years here it is!

Link to Website

2019

Song available on all streaming platforms (spotify, apple music)

By Trish Shetty '19
i’ll never cry again

Girl restrains her tears for, hopefully, the last time.

2018

Photoshop

By Angela He '21
Top of Altare della Patria

I was looking for a subject I could depict using my new ink pens, and this sculpture was perfect because it included lots of shadows and some colors.

2016

Ink Pen

By Angela Liu '23
Eyes Over

This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)

2015

Acrylic on Canvas

By Noah DeWald '20
Sunset Studying 1

Location: Law School terrace

2020

Digital Illustration

I’m looking at you

The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.

2023

machine embroidery on cotton fabric

By Daniel Richman '27
Odonata

Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.

2024

Sculpture

By Cooper Shea '24
Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By Helena Zhang '22
Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By Suzanne Ou '23
Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25

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