Karishma Bhagani
Maika Jones
MCP Certificate Awarded 2025-26
Photo by Mathieu Tailards
Kimia Koochakzadeh-Yazdi
Contact:
Stanford Arts Institute
artsinstitute@stanford.edu
Karishma Bhagani is a PhD Candidate in the department of Theater and Performance Studies at Stanford University. Her research focuses on cultural production and the creation of sustainable creative economies in Nairobi, and more broadly across the African continent. An African feminist at heart, Karishma’s commitment to creative making and practice comes from a commitment of working from the everyday production realities to develop theories of the production. As a practicing producer and dramaturg, Bhagani is committed to bringing contemporary African stories to global stages. She is currently a Knight Hennessy Scholar and a recipient of the Stanford University RAISE Fellowship.
MCP Certificate Awarded 2025-26
Maika Jones graduated from Stanford University with a bachelor’s degree in International Relations and a master’s degree in East Asian Studies. She has a deep interest in history, storytelling, and creative media, grounded in the belief that “building” forms the common thread among them. Her academic focus lies in how historical narratives can and are portrayed and reimagined through various forms of media, and how these adaptations shape public perception and cultural understanding. Her graduate thesis examined the speculative world-building of East Asian science fiction, arguing that deliberate creative choices made by SF authors generate valuable and prescient insights about human society.
The MCP courses I have taken have shown me that meaningful knowledge often emerges in unexpected places and through modes of engagement that extend beyond the textual. Understanding the world and our place within it is inseparable from the hand’s tactile encounter with materials and processes. During my graduate studies, this idea of “thinking through making” became central to my practice and ultimately drew me to the Making and Creative Praxis program.
Photo by Mathieu Tailards
Kimia Koochakzadeh-Yazdi is an Iranian composer and performer. She writes for hybrid instrumental/electronic ensembles, creates electroacoustic and audiovisual works, builds instruments, and performs electronic music. She explores the unfamiliar familiar while being motivated by how melodies unfold through time. Finding ways to play with various musical thresholds and exploring musical extremes is something that she is currently attracted to. Her work experiments with merging Iranian music with the more contemporary classical music aesthetics.
Being a cross-disciplinary artist, she has actively collaborated on projects evolving around dance, film, and theater. She is the co-founder and producer of Fashion x Electronics, a collective focused on creating interdisciplinary works based on fashion and electronic music.
Kimia’s work has been showcased by organizations across the globe and she has performed internationally. Kimia is currently based in San Francisco and is a doctorate candidate in Music Composition at Stanford University.
I make work that explores sound as an embodied and temporal medium through composition, performance, and the creation of wearable and physical instruments. The Making and Creative Praxis program supports my practice by giving me a framework to critically reflect on how making, material experimentation, and embodied knowledge shape both my creative process and artistic outcomes.
Stanford Arts Institute
artsinstitute@stanford.edu
The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul. –Robert Wyland
2023
Digital Media – Made in Procreate for Apple iPad
By Lavinia Pedrollo '28My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
By Hannah Cha '25This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
By Constantinos Gallis '24The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
2017
acrylic on canvas
By Helena Zhang '22Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
By Sarah Dong '26A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
By Andrew Lesh '19Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
By Sarah Dong '26This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
By Isabel Benak '22Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
By Connor Gilmore '21Winter 2017, I wrote my first song, ‘Something You Should Know’. After working on the lyrics, production and recording for two years here it is!
2019
Song available on all streaming platforms (spotify, apple music)
By Trish Shetty '19Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
By Christina Kent '22Oh! The Puppet Show begins! Here I am the puppet master presenting the BOSP Poland Overseas Seminar with my puppet show I made entirely from scratch!
2017
Photograph of Performance
By Maxwell Menzies '20This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!
2021
Digital Photograph of Paper Collage
By D Fukunaga-Brates '25These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes
By Khuyen Le '21Art reveals souls in day and night.
A dynamic clash, emotions entwined,
In this vibrant realm, our spirits aligned.
2024
Digital Media – Made with Procreate for Apple iPad
By Lavinia Pedrollo '28