Maika Jones
MCP Certificate Awarded 2025-26
Contact:
Stanford Arts Institute
artsinstitute@stanford.edu
MCP Certificate Awarded 2025-26
Maika Jones graduated from Stanford University with a bachelor’s degree in International Relations and a master’s degree in East Asian Studies. She has a deep interest in history, storytelling, and creative media, grounded in the belief that “building” forms the common thread among them. Her academic focus lies in how historical narratives can and are portrayed and reimagined through various forms of media, and how these adaptations shape public perception and cultural understanding. Her graduate thesis examined the speculative world-building of East Asian science fiction, arguing that deliberate creative choices made by SF authors generate valuable and prescient insights about human society.
The MCP courses I have taken have shown me that meaningful knowledge often emerges in unexpected places and through modes of engagement that extend beyond the textual. Understanding the world and our place within it is inseparable from the hand’s tactile encounter with materials and processes. During my graduate studies, this idea of “thinking through making” became central to my practice and ultimately drew me to the Making and Creative Praxis program.
Stanford Arts Institute
artsinstitute@stanford.edu
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast.
Link to Artwork
2024
Watercolors and inkpen on mixed media paper
By Lavinia Pedrollo '28Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
By Andrew Lesh '19This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork
2022
Writing
By Tyler Newman '25Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20This short film was submitted as part of my arts portfolio for my Stanford application
2021
Short Film
By Leeth Singhage '26The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
2021
Photography
By Bryan Defjan '24This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
2016
Guitar recording with electronic drums and synths
By Amit Kohli '20A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
2017
Oil paint on paper
By Cairo Mo '20This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.
2020
Digital Art
By Majorca "Jorie" Bateman-Coe '20[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
By Dayeeta Pal '27This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
By Felicity Huang '25This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
By Constantinos Gallis '24The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
By Hannah Cha '25