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  • <a href='https://arts.stanford.edu/?event=info-session-mixer-for-new-grad-certificate-in-making-creative-praxis-2' title='Info Session/Mixer for new Grad Certificate in Making & Creative Praxis'>Info Session/Mixer for new Grad Certificate in Making & Creative Praxis</a>
    Other

    Info Session/Mixer for new Grad Certificate in Making & Creative Praxis

    Monday, November 10
SU_New_BlockStree_Red_darkbgrd_R_Large-1-550x550-square

Contact:

Stanford Arts Institute
artsinstitute@stanford.edu

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Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By Helena Zhang '22

Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By Bryan Defjan '24

Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25

i’ll never cry again

Girl restrains her tears for, hopefully, the last time.

2018

Photoshop

By Angela He '21

Exotic Oriental Murder Mystery!

This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?

2017

Ink and print on wood

By Olivia Popp '20

Truth

I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.

2018

Acrylic paint on canvas

By Nicola Buskirk '22

Into the Mist

Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.

2019

Acrylic on Canvas

By Sarah Dong '26

Tree Study I

A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.

2018

Charcoal on Paper

By Noah DeWald '20

Waste Mismanagement

A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.

2019

Digital illustration and collage

By Elaine Park '21

self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21

Oh, Dear

This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.

2015

Oil on canvas

By Shin Mei Chan '18

Self Portrait

A self portrait done in the style of the Old Masters.

2014

Oil Paint on Canvas

By Francesca Colombo Colombo '19

Two Boys Dancing

Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.

2024

Oil on Canvas

By Bryan Defjan '24

Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By Christina Kent '22

The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By Yifei He '22

night

An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.

2017

Oil paint and paper on paper

By Cairo Mo '20

On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25

from now on

This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.

2023

ink on rice paper; poetry

By Katie Han '23

Community

Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat

2023

Wood sculpture, Metal Sculpture. Can also display photos attached instead

By Saanvi Bhatia '27

“Vast, grafted monoculture”

This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”

2020

Vector drawing and photography

By Vrinda Suresh '21

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