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Stanford Arts Institute
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Hand over hand
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
By Maia Mosse '20
Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
California Dreaming: Echoes of Change through Analog Film
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
2020
Analog Film
By May Levin '24
Train Wreck
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
By Helena Zhang '22
Quarantine Paintings
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
By Katie Han '23
Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
2019
Collage, ink pen
By Kyle Cromer '20
Black Liberation Month Community Mural
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
By Sky Walker '24
Joshua Tree
A Joshua Tree, with its grotesque appearance, instantly demands attention.
2018
Photograph of Landscape
By Brian Nguyen '21
Killer in the Sun
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
By Gunner Dongieux '21
No RECAmpense
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
By Weston Keller '27
Glitch, Beyond the Cracks
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
By Tracy Wei '26
Il Fait Noir
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
Still I Rise
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05
2018
Video Art
By Chun Wang '19
My Boy
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
Clam Song, Biter
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
2020
Digital inkjet print
By Harry Cole '20
Self-portrait
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
By Phoebe Kimm '20
primavera sin cueva
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
2024
Four color Riso print
By Galia Santana-Oikawa '25
Misfit Photography
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
By Renata Starbird '21
The Art of Binaural Beats
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
