Amy Elkins, The Golden State, 2017. Photo by artist. Exhibition at Frank M. Doyle Arts Pavilion, Orange Coast College. Costa Mesa, CA
Contact:
Stanford Arts Institute
[email protected]
Sandy Treasures
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
2022
Acrylic Paint on Canvas
By Sarah Dong '26
Security Blanket
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
GROWTHesque
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
2023
Photograph of Performance (solo play)
By Leeth Singhage '26
Spin
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
By Noah DeWald '20
Looking Back 2021
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
2021
Acrylic Paint on Canvas
By Sarah Dong '26
Yanofsky’s Legacy
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
By Suzanne Ou '23
Rancho de San Luis, JAL, MX
This project was done on a ten-day summer trip to my family’s ranch.
2017
Environmental Photographs
By Kamilah Arteaga '22
Oh, Dear
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
By Shin Mei Chan '18
Utopia No. 1
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
By Elias Gálvez-Arango '
Photograph of the Campus
This is a photo taken in the Main Quad.
2018
This is a photo taken in the Main Quad.
By Cuiping Cai '22
Quarantine Paintings
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
By Katie Han '23
đàn-ông.exe
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
By Han Dao '26
Post-Election Blues
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
By Bryan Defjan '24
Look Behind You
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
By Andrew Lesh '19
Misfit Photography
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
2019
Nature Photography
By Renata Starbird '21
Nicollette (Venice, Italy)
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
2018
acrylic on canvas
By Vedika Kanchan '23
Study of Rodin Bust
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
2018
Charcoal, white chalk on toned paper
By Noah DeWald '20
Killer in the Sun
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
By Gunner Dongieux '21
Flames
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
By Katherine Yang '20