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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Crystal Chen '22

Economics 2022 @iseeucrystalclear

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Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

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Green Library -3

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2018

Photo

By Lining Sun '18
The Quad

Quad is always changing amazingly.

2017

Photo

By Lining Sun '18
Lagunita

I am lucky enough to witness Lagunita being a real lake.

2017

Photo

By Lining Sun '18
Dish in layers

Lucky to witness a green Dish.

2017

Photo

By Lining Sun '18
Self-portrait

While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.

2017

Photograph

By Julianna Yonis '21
Hide and Seek

I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
Link to Artwork

2023

Poetry

By Shlok Sampat '24
Áo Dài in Seven Parts

Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.

2023

Charcoal and Mixed Media on Salvaged Cotton and Organza

By Lily Thai '27
Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By Sarah Dong '26
Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By Meagan Wu '18
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By Syd Westley '21
Sezen

“I’ve loved you since the day I met you”

2023

Acrylic on Canvas

By Vedika Kanchan '23
SlumRat

This short film was submitted as part of my arts portfolio for my Stanford application

Link to Website

2021

Short Film

By Leeth Singhage '26
Truth

I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.

2018

Acrylic paint on canvas

By Nicola Buskirk '22
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25
Revolutionary pleasure!

This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!

2021

Digital Photograph of Paper Collage

By D Fukunaga-Brates '25
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By Stephanie Niu '19
a ritual for the sky

The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.

2017

Installation: printed plastic sheeting (pictorico), fishing wire

By Vivienne Le '19
After Office Hours

Location: Main Quad

2020

Digital Illustration

By Helen He '23
I’m looking at you

The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.

2023

machine embroidery on cotton fabric

By Daniel Richman '27
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