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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Crystal Chen '22

Economics 2022 @iseeucrystalclear

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Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

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Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
Link to Artwork

2024

print

By Hana Dao '25

Hoover Tower Day and Night

It’s a shame if you did not get around time to see Hoover Tower in different lights.

2018

Photo

By Lining Sun '18

A Matter of Time

A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.

2019

Acrylic on Canvas

By Sarah Dong '26

Two versions of my favorite picture of the church

As a landscape photographer, I like to see things in different light.

2016

Photo with artistic editing

By Lining Sun '18

Vortex

An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.

2016

Digital Visual Art

By Andrew Lesh '19

Newborn

A mother lamb takes gentle care of her newborn.

2019

Oil Paint on Canvas

By Tracy Wei '26

I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
Link to Artwork

2023

Poetry

By Shlok Sampat '24

Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous

These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.

2019

Collage, ink pen

By Kyle Cromer '20

Father Sometime Ago

Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.

2019

Oil on Canvas

By Regina Kong '22

The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23

A Matter of Time

A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.

2019

Acrylic Paint on Canvas

By Sarah Dong '26

Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20

Breaking Point

This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.

Link to Website

2020

Boulder & Rope

By Paige Warmington '22

Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

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2023

3D Arduino installation, interactive poetry

By Hannah Cha '25

The Countour

The Countour of White Sands NP

2023

Photograph

By Weilai Yu '22

Truth

I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.

2018

Acrylic paint on canvas

By Nicola Buskirk '22

Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.

2020

Collage & ink pen

By Kyle Cromer '20

Il Fait Noir

Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”

2019

Photograph of Man in Paris

By Charlie Jarvis '19

a flower book

February is a gray month, but these flowers bloomed anyway.
Link to Artwork

2024

sublimation print on synthetic blue satin

By Alison Cao '26

Visions of Separation

The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.

Link to Website

2021

Photography

By Bryan Defjan '24
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