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Annie Ng '20
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
2017
Ink on Paper
By Annie Ng '20
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
Photography
A medium exploration of painting on windows screens.
2018
window screens, oil paint
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
Digital Visual Art
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink. Link to Artwork
2020
colored pencil, poetry
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
This short film was submitted as part of my arts portfolio for my Stanford application
2021
Short Film
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
A vivid rainbow above the hoover tower
Photograph of nature
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
Photograph of a physical collage (paper, printed image)
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
Gouache on Paper
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
2022
Graphite
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
Digital Collage
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
Watercolor and black ink